Poème électronique
Expo 58, also known as the Brussels World’s Fair, Brusselse Wereldtentoonstelling or Exposition Universelle et Internationale de Bruxelles, was held from April 17 to October 19, 1958. It was the first major World’s Fair after World War II.
Poème électronique (“Electronic Poem”) is a piece of electronic music by composer Edgard Varèse written especially for the 1958 Brussels World’s Fair, and was recorded to be played back from 425 loudspeakers, placed at specific points in the Philips Pavilion, designed by Iannis Xenakis while under the employ of Le Corbusier.
«Poème électronique» is the first, electronic-spatial environment to combine architecture, film, light and music to a total experience made to function in time and space. Under the direction of Le Corbusier, Iannis Xenaki’s concept and geometry designed the World’s Fair exhibition space adhering to mathematical functions. Edgard Varèse composed the both concrete and vocal music which enhanced dynamic, light and image projections conceived by Le Corbusier. Varèse’s work had always sought the abstract and, in part, visually inspired concepts of form and spatial movements. Among other elements for «Poème électronique» he used machine noises, transported piano chords, filtered choir and solo voices, and synthetic tone colorings. With the help of the advanced technical means made available through the Philips Pavilion, the sounds of this composition for tape recorder could wander throughout the space on highly complex routes. (source)
A recording of Poème électronique:

C’est vraiment tres beau… bravo! J’aime beaucoup!